Hanne Berendse, MA
und Neulateinische Studien
Projekt: Neo-Latin in the Modern World
Zimmer 06L040
Innrain 52a
A-6020 Innsbruck, Austria
Tel.: +43/512/507-40701
E-Mail: Hanne.Berendse@uibk.ac.at
Werdegang
- 2001: Geboren in Blaricum, Niederlande
- 2018-2021: Bachelor am Leiden University College The Hague im kulturwissenschaftlichen Bereich (mit Auszeichnung)
- 2022-2023: Magisterstudium “Frühneuzeitliche Kulturelle, Intellektuelle und Visuelle Geschichte” am Warburg Institute, London (mit höchster Auszeichnung)
- seit November 2023: Projektmitarbeiterin an der Leopold-Franzens-Universität Innsbruck
- seit Juni 2024: Doktorandin an der LFUI und am Warburg Institute, London
Forschungsschwerpunkte
- Geistesgeschichte der Frühen Neuzeit
- Geschlechtergeschichte
- Wissenschaftsgeschichte
- Frühneuzeitliche visuelle Ausdrucksformen
- Frühneuzeitliche Autorinnen und Künstlerinnen
Veröffentlichungen
- “Bold and self-confident, ironic and playful, a professional artist in full possession of herself”: Artemisia Gentileschi’s Self-Portrait as Saint Catherine of Alexandria (1615-1617) Reconsidered [Arbeitstitel, in Vorbereitung]
- “Bodily strength is a disgrace, not an honour”: Johanna Otho (1549–c.1621) on Men’s Moral Education.” Renaissance Studies, Special Issue: The Epistolary Renaissance: Women Latinists and the Republic of Letters (1300-1700) [in Vorbereitung].
- “Ironic Praise in the Visual Arts: Female Artists and the Mock-Heroic Self-Portrait in Early Modern Italy (1550–1650).” In Ironic Encomia and Paradoxical Humour in the Early Modern Period. Leiden: Brill Intersections [in Vorbereitung].
- “Virgo faciebat: Artistic Self-Fashioning in Latin Inscriptions by Female Artists in Early Modern Italy.” Journal of Latin Cosmopolitanism and European Literatures, Vol. 13, Women as Authors of Neo-Latin Texts [voraussichtlich Frühling 2026].
- “Johanna Otho (c.1549 – c.1621) on the Virginity of the Mind.” In An Anthology of Neo-Latin Literature Written by Women 1350-1800, edited by Stephen Harrison and Gesine Manuwald. London: Bloomsbury Publishing, 2026.
Vorträge
- Perpetuae virgines & gentiluomini: Gender Performance in Self-Portraiture in early modern Northern Italy [17.06.2023, Mediaeval & Early Modern Studies Festival, University of Kent, Canterbury]
- Unearthing the Past: Empirical Historiography and Object-Based Research in Francesco Ferdinando Giuliani’s De fossilibus universalis diluvii, cum speciminibus Tirolensibus (1741). [27.01.2024, Antike Kulturen des Mittelmeerraums (AKMe), University of Innsbruck]
- Sense of Self: Artemisia Gentileschi’s Self-Portrait as Saint Catherine of Alexandria (1615-1617). [16.04.2024, Annual Graduate Conference in European History, Florence]
- Fossils of the Flood: Francesco Ferdinando Giuliani’s De fossilibus universalis Diluvii, cum speciminibus Tirolensibus (1741) [12.06.2024, Scientiae Brussels]
- The Humanist Network of Anna von Palant, or Pallantia (1550-1599) [20.09.2024, Medici Archive Project, Florence]
- “Honey-Sweet Poems”: Vergilian Stylistics in the Poetry of Anna Pallantia (1550-1599) [27.05.2025, Colloquia Neo-Latina Tridentina, Trento]
- “And even savage beasts, you see, are also tamed by the art of those who teach”: Education, Discipline & the Taming of Nature in Johanna Otho’s De Bona Institutione (1616) [13.06.2025, Annual Meeting of the International Society for Intellectual History, Aarhus]
- “Quae [...] ob oculos exhibita fuerunt”: Francesco Ferdinando Giuliani’s De fossilibus universalis Diluvii (1741) [16.07.2025, Nineteenth International Congress of the International Association for Neo-Latin Studies, Aix-en-Provence]
- Ironic Praise in the Visual Arts: Female Artists and the Mock-Heroic Self-Portrait in Early Modern Italy (1550–1650) [05.09.2025, International Conference on Ironic Encomia and Paradoxical Humour in the Early Modern Period, Frankfurt]