University Professor Dr Federico Celestini

Books:

Nietzsche's Philosophy of Music. Zur Performativität des Denkens, Wilhelm Fink Verlag: Paderborn 2016. As an e-book 2019.

(with Andreas Dorschel), Arbeit am Kanon. Ästhetische Studien zur Musik von Haydn bis Webern, Universal Edition: Vienna, London, New York 2010 (Studien zur Wertungsforschung, 51).

The disorder of things. Das musikalische Groteske in der Wiener Moderne (1885 - 1914), Franz Steiner Verlag: Stuttgart 2006 (Archiv für Music Studies - Beihefte, 56).

The early piano sonatas by Joseph Haydn. Eine vergleichende Studie, Schneider: Tutzing 2004 (Studien zur Music Studies. Supplements to the Denkmäler der Tonkunst in Österreich, 52).

Published writings:

(with Nikolaus Urbanek): Reading and Writing (Music Theory 2025, Issue IV), forthcoming.

(with Sarah Lutz): Musikalische Schreibszenen / Scenes of Musical Writing, Wilhelm Fink Verlag: Paderborn 2023 (Theorie der musikalischen Schrift, 4) https://brill.com/edcollbookoa/title/62018

Austrian Music Studies: Topics - Perspectives - Concepts, thematic issue, Musicologica Austriaca - Journal for Austrian Music Studies:https: //www.musau.org/parts/neue-articlepage/view/144

Giacinto Scelsi: Music Across the Borders, Brepols: Turnhout 2019 (Contemporary Composers, 2).

(with Raymond Ammann and Lukas Christensen), Crossing Borders. Musik im intersdisziplinären Diskurs, University of Innsbruck University Press: Innsbruck 2014.

(with Elfriede Reissig), Sound and Source. Ästhetische Dimension und kompositorischer Prozess bei Giacinto Scelsi, LIT-Verlag: Vienna and Berlin 2014 (Musik und Kultur, 2).

(with Gregor Kokorz and Julian Johnson), Musik in der Moderne / Music and Modernism, Böhlau: Cologne, Weimar and Vienna 2011 (Wiener Veröffentlichungen zur Musikgeschichte, 9).

(with Gregor Kokorz), Rudolf Flotzinger, Das sogenannte Organum, Adeva: Graz 2011.

(with Moritz Csáky and Ulrich Tragatschnig), Barock - Ein Ort des Gedächtnisses, Böhlau: Cologne, Weimar and Vienna 2007.

(with Helga Mitterbauer), Ver-rückte Kulturen. Zur Dynamik kultureller Transfers, Stauffenburg: Tübingen 2003; 2nd edition 2011.

Published series:

(with Christian Utz), Mahler Dimensions. New Library of the International Gustav Mahler Society and the Gustav Mahler Research Centre Toblach, Hollitzer Verlag Vienna https://www.gustav-mahler.org/forschung/mahler-dimensionen

(with Matteo Nanni, Simon Obert, Nikolaus Urbanek), Theorie der musikalischen Schrift, Wilhelm Fink Verlag https://www.fink.de/view/serial/TMS

Published journals:

(with Philip V. Bohlman) From 2011/1 to 2022/2 Acta Musicologica, peer reviewed journal of the International Musicological Society. https://acta. musicology.org

Articles in journals:

From Haydn to Mahler and back. The "fessless masters" of musical humour: in: Musiktheorie, Zeitschrift für Music Studies 2025, issue 3, forthcoming.

Music-political constellations in Thomas Mann's Doktor Faustus, in: Archiv für Music Studies 75/3, 2018, pp. 193-215.

The explosive nature of the relationship between music and reflection. Commemorative speech on Otto Kolleritsch's 80th birthday, in: Österreichische Musikzeitschrift 69/03, 2014, pp. 74-79.

Busoni und Scelsi, oder: Von den klingenden Hinterwelten, in: Archiv für Music Studies 69/3, 2012, pp. 218-228.

"Structure with Schönberg, figure with Webern". Harald Kaufmann's polemical analysis, in: Musik & Ästhetik 16/63, 2012, pp. 43-54.

Ferruccio Busoni's "Secession". On the Piano Concerto with Male Choir op. 39, in: Archiv für Music Studies 65/4, 2008, pp. 272-288.

Aspects of the sublime in Haydn's late works, in: Basler Jahrbuch für historische Musikpraxis 30, 2006 [2008], pp. 79-98.

Twelve Mozart cities: Rome, church music tradition - opera buffa, in: Österreichische Musikzeitschrift, Mozart special, 2006, pp. 77-79.

The accusation of triviality levelled at Gustav Mahler. Eine diskursanalytische Betrachtung (1889-1911), in: Archiv für Music Studies 62, 2005, pp. 165-176.

Tra sinfonia e romanzo. Gustav Mahler e la totalità del mondo, in: Il Territorio X/2, 2002, pp. 61-72.

The unseeing eye of classical art. A Contribution to the Classical Discussion, in: Ad Parnassum. Journal of 18th- and 19th-Century Instrumental Music I/1, 2003, pp. 147-160.

The Metaphor in Music Studies Discourse, in: Newsletter Moderne 4/1, 2001, pp. 9-11; URL: http://www-gewi.kfunigraz.ac.at/moderne/heft6c.htm

A semiotic approach to intertextuality and deconstruction in music, in: Newsletter Moderne 2/2, 1999, pp. 14-17; URL: http://www-gewi.kfunigraz.ac.at/moderne/heft3c.htm

Scarlatti's reception by Haydn and the development of piano technique in his early piano sonatas, in: Studien zur Music Studies. Supplements to the Denkmäler der Tonkunst in Österreich 47, 1999, pp. 95-127.

Origin and content of the manuscript Reichersberg 60, in: Studien zur Music Studies. Beihefte der Denkmäler der Tonkunst in Österreich 44, 1995, pp. 7-29.

Contributions to anthologies:

'Undomesticated' Sounds in Gustav Mahler's First Symphony, in: Tobias Janz and Christian Utz (eds.), Gustav Mahler's Sound (Mahler Dimensions, 1), Hollitzer Verlag: Vienna 2025, in print.

Satire in der Musik, in: Elisabeth Flucher, Vincenz Pieper and Daniel Wendt (eds.): Handbuch Satire. Forms - Processes - Discourses, Metzler: Stuttgart 2025, forthcoming.

Schoenberg, Mahler, and Viennese Church Bells, in: Alexander Carpenter (ed.), Schoenbergin Context, Cambridge University Press, in press.

Nietzsche and Wagner: The Logic of Contradiction, in: David Trippett (ed.), Wagner in Context, Cambridge University Press: New York 2024, pp. 104-112.

(with Sarah Lutz) Introduction, in: Federico Celestini and Sarah Lutz (eds.): Musikalische Schreibszenen / Scenes of Musical Writing, Wilhelm Fink Verlag: Paderborn 2023 (Theorie der musikalischen Schrift, 4), pp. XI-XVI.

On the gestural quality of neumatic writing: Inscribed Corporeality, in: Federico

Celestini and Sarah Lutz (eds.): Musikalische Schreibszenen / Scenes of Musical Writing, Wilhelm Fink Verlag: Paderborn 2023 (Theorie der musikalischen Schrift, 4), pp. 41-76.

Gustav Mahler's Symphonic Transcendence and its Counterparts, in: Waldemar Zacharasiewicz and Herta Nagl-Docekal (eds.), Religion in the Secular Age, De Gruyter: Berlin 2023, pp. 337-347.

Athena and Marsyas. On the Politics of the Aulos in Plato and Aristotle, in: Kordula Knaus and Susanne Kogler (eds.), Musik - Politik - Gesellschaft. Michael Walter on his 65th birthday, J.B. Metzler: Berlin 2023, pp. 15-31.

Masked sounds. On the musically grotesque in the Commedia all'improvviso, in: Stefan Hulfeld, Rudi Risatti and Andrea Sommer-Mathis (Eds.), Grotesk! Ungeheuerliche Künste und ihre Wiederkehr, Hollitzer Verlag: Vienna 2022, pp. 183-209.

(with Matteo Nanni, Simon Obert and Nikolaus Urbanek), Towards a Theory of Musical Writing. Material, operative and performative aspects of musical notations, in: Carolin

Ratzinger, Nikolaus Urbanek, Sophie Zehetmayer (eds.), Music and Writing. Interdisziplinäre Perspektive auf musikalische Notation (Theorie der musikalischen Schrift, 1), Wilhelm Fink Verlag: Paderborn 2020, pp. 1-50.

Introducing Giacinto Scelsi, in: Federico Celestini (ed.), Giacinto Scelsi: Music Across the Borders, Brepols: Turnhout 2019 (Contemporary Composers), pp. IX-XXIX.

Fremdheit im Lied von der Erde, in: Klaus Aringer, Christian Utz and Thomas Wozonig (eds.), Musik im Zusammenhang. Festschrift Peter Revers on his 65th birthday, Hollitzer Verlag: Vienna 2019, pp. 403-412.

Teaching and Students, in: Caryl Clark and Sarah Day-O-Connell (eds.), Cambridge Haydn Encyclopedia, Cambridge University Press: Cambridge 2019, pp. 356-359.

Experential Learning, in: Caryl Clark and Sarah Day-O-Connell (eds.), Cambridge Haydn Encyclopedia, Cambridge University Press: Cambridge 2019, pp. 118-120.

On the materiality of sound, in: Melanie Wald-Fuhrmann and Nikolaus Urbanek (eds.): Von der Autonomie des Klangs zur Heteronomie der Musik: Music Studiesliche Antworten auf Musikphilosophie (Abhandlungen zur Music Studies), J. B. Metzler: Stuttgart 2018, pp. 33-48.

Zu den Liedern Zemlinskys, in: Stefan Gasch (ed.), Ästhetik der Innerlichkeit: Max Reger und das Lied um 1900, Hollitzer: Vienna 2018 (Wiener Veröffentlichungen zur Music Studies, 48), pp. 221- 239.

Silence. Eine musikalische Spurensuche, in: Franz Gratl, Andreas Hoffmann and Verena Gstir (eds.), Stereo-Typen. Gegen eine musikalische Mono-Kultur, Tiroler Landesmuseum Ferdinandeum, 27 April - 28 October 2018, Wagner: Innsbruck 2018, pp. 159-163.

Gustav Mahler and the Aesthetic of De-Identification, in: Jeremy Barham (ed.), Rethinking Mahler, Oxford University Press: New York 2017, pp. 237-252.

(with Philip V. Bohlman), Acta Musicologica: A Brief History, in: Dorothea Baumann and Dinko Fabris (eds.), The History of the International Musicological Society (1927-2017), Bärenreiter: Kassel et al. 2017, pp. 144-148.

The grotesque as tradition, intertext and performance. The third movement of Gustav Mahler's First Symphony, in: Laurenz Lütteken (ed.), Das Groteske und die Musik der Moderne, Bärenreiter: Kassel et al. 2017 (Zürcher Festspiel-Symposien, 8), pp. 20-32.

On the Encounter of Two Nomadic Subjects: Leonard Bernstein and Gustav Mahler, in: Andreas Eichhorn (ed.), Leonard Bernstein und seine Zeit, Laaber Verlag: Laaber 2017, pp. 218-239.

A broken idyll. On the musical and cultural horizon of the young Anton Webern, in: Thomas Ahrend and Matthias Schmidt (eds.), Der junge Webern. Texts and Contexts, Lafite: Vienna 2015 (Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 2b), pp. 153-168.

Friedrich Nietzsche's Aesthetics of Intermediality, in: Matthias Schmidt and Arne Stollberg (eds.), Das Bildliche und das Unbildliche. Nietzsche, Wagner und das Musikdrama, Wilhelm Fink Verlag: Paderborn 2015 (eikones), pp. 117- 127.

Nietzsche's Philology of Dance (1869-1876), in: Gabriele Busch-Salmen, Monika Fink and Thomas Nußbaumer (eds.), Der Tanz in der Dichtung - Dichter tanzen. Walter Salmen in Memoriam, Georg Olms Verlag: Hildesheim, Zurich and New York 2015(Terpsichore. Tanzhistorische Studien 8), pp. 255-266.

La musica a Roma nel Seicento e lo spazio comunicativo Europeo. Alcune riflessioni sul transfer culturale, in: Anne-Madeleine Goulet and Gesa zur Nieden (eds.), Europäische Musiker in Venedig, Rom und Neapel (1650-1750), Bärenreiter: Kassel et al. 2015 (Analecta Musicologica, 52), pp. 118-129.

Heteroglossia and Hybridity in Gustav Mahler's Wunderhorn Symphonies, in: John W. Boyer and Berthold Molden (eds.), EuTropes: The Paradox of European Empire, Chicago University of Chicago: Chicago 2014 (Parisian Notebooks, 7), pp. 385-408.

Slightly modified German version: Narration aus Sicht der Musik- und Literaturwissenschaft - Michail M. Bachtin und Gustav Mahler, in: Manuel Gervink and Robert Rabenalt (eds.), Filmmusik und Narration. On Music in Filmic Narration, Tectum Verlag: Marburg 2017, pp. 157-178.

Ragtime and art music in the interplay of cultural identities, in: Raymond Ammann, Federico Celestini and Lukas Christensen (eds.), Grenzüberschreitungen. Musik im interdisziplinären Diskurs, University of Innsbruck University Press: Innsbruck 2014, pp. 225-242.

Scelsi today and yesterday. Attempt at a music-historical localisation, in: Federico Celestini and Elfriede Reissig (eds.), Klang und Quelle. Ästhetische Dimension und kompositorischer Prozess bei Giacinto Scelsi, LIT-Verlag: Vienna and Berlin 2014 (Musik und Kultur, 2), pp. 9-29.

Die Ästhetik des Pasticcio, in: Online conference report on the symposium "Pasticcio" (2013), ed. by Kurt Drexel and Rainer Lepuschitz: http://www.uibk.ac.at/musikwissenschaft/forschung/sommertagungen.html.de

Musik und kollektive Identitäten, in: Michele Calella and Nikolaus Urbanek (eds.), Historische Music Studies: Grundlagen und Perspektiven, J. B. Metzler: Stuttgart 2013, pp. 318-337.

Gustav Mahler and Jewish Modernism, in: Karl Katschthaler (ed.), Gustav Mahler - Arnold Schönberg und die Wiener Moderne, Peter Lang Edition: Frankfurt am Main 2013, pp. 11-25.

Sylvano Bussotti: "Julio Organum Julii" (1968); "Autotono" (1979), in: Enrica Torelli Landini (ed.), Grafia musicale e segno pittorico nell'avanguardia italiana (1950-1970), De Luca: Roma 2012, pp. 68-70.

Historische Music Studies, in: Kordula Knaus and Andrea Zedler (eds.), Music Studies studieren. Arbeitstechnische und methodische Grundlagen, Utz Verlag: Munich 2012, pp. 113-121.

Profaned Transcendence and Internalised Objectivity: March and Chorale in Mahler's Fifth Symphony, in: Peter Moormann, Albrecht Riethmüller and Rebecca Wolf (eds.), Paradestück Militärmusik Beiträge zum Wandel staatlicher Repräsentation durch Musik, Transcript: Bielefeld 2012, pp. 193-202.

(with Andreas Dorschel) Objective Music: Traditions of Soundmaking without Human Expression, in: Andreas Dorschel, Gerhard Eckel and Deniz Peters (eds.), Bodily Expression in Electronic Music, Routledge: New York 2012, pp. 130-142.

Zeit und Bewusstsein in der Musik zwischen Ende des 18. und Beginn des 19. Jahrhunderts, in: Dietmar Goltschnigg and Charlotte Grollegg-Edler (eds.), Phänomen Zeit. Dimensions and Structures in Culture and Science. International Humboldt-Kolleg, Graz 10-14 November 2009, Stauffenburg: Tübingen 2011, pp. 339-342.

Joseph Haydn und die Gestaltung des Augenblicks, in: Marie-Agnes Dittrich, Martin Eybl and Reinhard Kapp (eds.), Zyklus und Prozeß. Haydn and the Time, Böhlau: Vienna, Cologne and Weimar 2011 (Wiener Veröffentlichungen zur Musikgeschichte, 10), pp. 85-95.

Gustav Mahler's Fifth Symphony, in: Peter Revers and Oliver Korte (eds.), Gustav Mahler. Interpretationen seiner Werke, 2nd vol., Laaber-Verlag: Laaber 2011, pp. 3-51.

The temporalisation of musical knowledge around 1800: From the taxonomy of sounds to tonal consciousness, in: Clemens Gadenstätter and Christian Utz (eds.), Musiktheorie als interdisziplinäres Fach. 8th Congress of the Society for Music Theory Graz 2008, PFAUVerlag: Saarbrücken 2010 (musik.theorien der gegenwart, 4), pp. 203-213. https://www.gmth.de/proceedings/artikel/71.aspx

Schubert's Rauschen. Eine Verwandlung, in: Barbara Boisits and Cornelia Szabó-Knotik (eds.), Sapienti numquam sat. Rudolf Flotzinger zum 70. Geburtstag, Mille Tre Verlag: Vienna 2009 (Anklänge. Wiener Jahrbuch für Music Studies, 2009), pp. 51-60.

Listening and thinking. Musikästhetik nach Adorno und der Postmoderne, in: Andreas Dorschel (ed.), Kunst und Wissen in der Moderne. Otto Kolleritsch on his 75th birthday, Böhlau: Vienna, Cologne and Weimar 2009, pp. 55-69.

On Ferruccio Busoni's poetics: Das Klavierkonzert mit Männerchor op. 39, in: Carmen Ottner (ed.), Das Klavierkonzert in Österreich und Deutschland: 1900 - 1945, Doblinger: Vienna 2009 (Studien zu Franz Schmidt, XVI), pp. 197-207.

Schubert's homecoming. Figuren der Verfremdung im Heine-Lied "Die Stadt", in: Dietmar Goltschnigg, Charlotte Grollegg-Edler and Peter Revers (eds.), Harry ... Heinrich ... Henri ... Heine Deutscher, Jude, Europäer, Erich Schmidt: Berlin 2008, pp. 231-239.

The Acoustic Proximity of Temporal Distance. Auratic Sonority in Mahler's Lieder eines fahrenden Gesellen, in: Melania Bucciarelli and Berta Joncus (eds.), Music as Social and Cultural Practice. Essays in Honour of Reinhard Strohm, Boydell & Brewer: Woodbridge 2007, pp. 355-373.

German version: Die tönende Nähe einer zeitlichen Ferne. Der auratische Klang in Mahlers Lieder eines fahrenden Gesellen", in: Federico Celestini and Andreas Dorschel, Arbeit am Kanon. Ästhetische Studien zur Musik von Haydn bis Webern, Universal Edition: Vienna, London, New York 2010 (Studien zur Wertungsforschung, 51), pp. 154-177.

Between Convention and Expression. Walter Benjamin und die Musik, in: Moritz Csáky, Federico Celestini and Ulrich Tragatschnig (eds.), Barock - Ein Ort des Gedächtnisses, Böhlau: Cologne, Weimar and Vienna 2007, pp. 199-211.

Introduction (with M. Csáky and U. Tragatschnig), in: Moritz Csáky, Federico Celestini and Ulrich Tragatschnig (eds.), Barock - Ein Ort des Gedächtnisses, Böhlau: Cologne, Weimar and Vienna 2007, pp. 7-14.

"Denkmäler italienischer Tonkunst": D'Annunzio's novel Il fuoco und die Mythologisierung alter Musik in Italien um 1900, in: Rudolf Jaworski and Peter Stachel (eds.), Die Besetzung des öffentlichen Raumes. Politische Plätze, Denkmäler und Straßennamen im europäischen Vergleich, Timme & Frank: Berlin 2007, pp. 277-292.

The performance of the grotesque. On Franz Schreker's opera "Die Gezeichneten", in: Johannes Feichtinger et al. (eds.), Schauplatz Kultur - Zentraleuropa. Transdisziplinäre Annäherungen, StudienVerlag: Innsbruck, Vienna and Bolzano 2006 (Gedächtnis - Erinnerung - Identität, 7), pp. 407-414.

Viotti and the London Violin Concertos: A Challenge for Analysis and Historiography, in: Massimiliano Sala (ed.), Giovanni Battista Viotti between the Two Revolutions, Ut Orpheus Edizioni: Bologna 2006 (Ad Parnassum Studies, 2), pp. 253-272.

Music in the Modern Age. Some Preliminary Remarks (with G. Kokorz), in: Federico Celestini, Gregor Kokorz and Julian Johnson (eds.), Musik in der Moderne/Music and Modernism, Böhlau: Cologne, Weimar and Vienna 2011 (Wiener Veröffentlichungen zur Musikgeschichte, 9), pp. 9-14.

Mahler and Textuality: The Funeral March of the First Symphony, in: Moritz Csáky, Astrid Kury and Ulrich Tragatschnig (eds.), Kultur - Identität - Differenz. Wien und Zentraleuropa in der Moderne, StudienVerlag, Innsbruck, Vienna and Bolzano 2004 (Gedächtnis - Erinnerung - Identität, 4), pp. 384-388.

Moderne Zeit und Zeit der Postmoderne, in: Moritz Csáky, Astrid Kury and Ulrich Tragatschnig (eds.), Kultur - Identität - Differenz. Vienna and Central Europe in the Modern Age, StudienVerlag: Innsbruck, Vienna and Bolzano 2004 (Gedächtnis - Erinnerung - Identität, 4), pp. 344-348.

Art as De-Identification, in: Moritz Csáky, Astrid Kury and Ulrich Tragatschnig (eds.), Culture - Identity - Difference. Vienna and Central Europe in the Modern Age, StudienVerlag: Innsbruck, Vienna and Bolzano 2004 (Gedächtnis - Erinnerung - Identität, 4), pp. 331-333.

Joseph Haydn e Muzio Clementi: le tracce musicali di un incontro, in: Richard Bösel and Massimiliano Sala (eds.), Muzio Clementi cosmopolita della musica. Atti del Convegno internazionale in occasione del 250° anniversario della nascita (1752-2002), Roma, 4-6 dicembre 2002, Ut Orpheus Edizioni: Bologna 2004 (Quaderni clementiani, 1), pp. 199-216.

The Scream and the Music. Mahler's sounds in Webern's op. 6 no. 2, in: Dominik Schweiger (ed.), webern_21, Böhlau: Cologne, Weimar and Vienna 2009 (Wiener Veröffentlichungen zur Musikgeschichte, 6), pp. 55-72.

Literature as Déjà-Vu? The Third Movement of Gustav Mahler's First Symphony, in: Delia da Sousa Correa (ed.), Phrase and Subject: Studies in Literature and Music, Legenda: London 2006, pp. 153-166.

Kulturwissenschaftliche Ästhetik, in: Elisabeth List and Erwin Fiala (eds.), Grundlagen der Kulturwissenschaften. Interdisziplinäre Kulturstudien, Francke: Tübingen and Basel 2004, pp. 173-177.

Re-interpretations. Transfer as a change of context of multiple encodable cultural elements, in: Federico Celestini and Helga Mitterbauer (eds.), Ver-rückte Kulturen. Zur Dynamik kultureller Transfers, Stauffenburg: Tübingen 2003, pp. 37-51.

Archaeological Studies and Microphysics of Transfer. An attempt at instrumentalisation, in: Federico Celestini and Helga Mitterbauer (eds.), Ver-rückte Kulturen. Zur Dynamik kultureller Transfers, Stauffenburg: Tübingen 2003, pp. 67-83.

Introduction (with H. Mitterbauer), in: Federico Celestini and Helga Mitterbauer (eds.), Verrückte Kulturen. Zur Dynamik kultureller Transfers, Stauffenburg: Tübingen 2003, pp. 11-17.

Il resoconto di un soggiorno svizzero di Clementi, in: Roberto Illiano, Luca Sala and Massimiliano Sala (eds.), Muzio Clementi. Studies and Prospects, Ut Orpheus Edizioni: Bologna 2002 (Muzio Clementi. Opera Omnia, 61), pp. 113-120.

L'intelligenza di un virtuoso. Su alcune sonate giovanili di Muzio Clementi, in: Roberto Illiano, Luca Sala and Massimiliano Sala (eds.), Muzio Clementi. Studies and Prospects, Ut Orpheus Edizioni: Bologna 2002 (Muzio Clementi. Opera Omnia, 61), pp. 261-282.

Le polifonie del codice A-Rei 60. Riflessioni sulla trasmissione, in: Giulio Cattin and F. Alberto Gallo (eds.), Un Millennio di polifonia liturgica tra oralità e scrittura, Il Mulino: Venezia and Bologna 2002 (Quaderni di Musica e Storia, 3), pp. 119-131.

The foreign and the own. Alternative Approaches to Overcoming the Concept of Influence, in: Petr Macek (ed.), Music Studies Colloquia of the Brno International Music Festival 34-35, Bärenreiter: Prague 2001, pp. 284-290.

Encyclopaedia article:

Celestini, Federico, in: Die Musik in Geschichte und Gegenwart, online edition: https://www.mgg-online.com/articles/mgg20292/2.0/mgg20292?q=celestini published March 2024.

The Case of Wagner (Friedrich Nietzsche; Leipzig 1888) in: Felix Wörner and Melanie Wald-Fuhrmann (eds.), Lexikon Schriften über Musik: Vol. 2. Musikästhetik in Europa und Nordamerika / Music aesthetics in Europe and North America, Bärenreiter/Metzler: Kassel 2022, pp. 614-617.

Petrobelli, Pierluigi, Die Musik in Geschichte und Gegenwart, online edition: https://www.mgg-online.com/article?id=mgg10045&v=2.0&rs=mgg10045 published February 2020.

Scarlatti (Pietro) Alessandro (Gaspare), in: Lexikon des Klaviers, ed. by Christoph Kammertöns and Siegfried Mauser, with a slip by Daniel Barenboim, LaaberVerlag: Laaber 2006, p. 623.

Scarlatti (Giuseppe) Domenico, in: Encyclopaedia of the Piano, edited by Christoph Kammertöns and Siegfried Mauser, with a slip by Daniel Barenboim, Laaber-Verlag: Laaber 2006, pp. 623-625.

Grotesk, in: Österreichisches Musiklexikon, published by the Austrian Academy of Sciences, Commission for Music Research, under the direction of Rudolf Flotzinger, vol. 2 (G-Kl), Verlag der Österreichischen Akademie der Wissenschaften: Vienna 2003, p. 635.

Kammermusik, in: Österreichisches Musiklexikon, ed. by the Austrian Academy of Sciences, Commission for Music Research, under the direction of Rudolf Flotzinger, vol. 2 (G-Kl), Verlag der Österreichischen Akademie der Wissenschaften: Vienna 2003, pp. 941-943.

Satire, in: Österreichisches Musiklexikon, published by the Austrian Academy of Sciences, Commission for Music Research, under the direction of Rudolf Flotzinger, vol. 4 (Ober bis Schwarz), Verlag der Österreichischen Akademie der Wissenschaften: Vienna 2005, pp. 2030-2031.

Rome, manuscripts and libraries, medieval monophonic manuscripts, in: Die Musik in Geschichte und Gegenwart, Sachteil, vol. 8, Bärenreiter: Kassel etc. 1998, pp. 428-429.

Smaller writings:

Gustav Mahler. Symphony No. 7, E minor, in: Vienna Philharmonic, Programme 4th Soirée, Season 2022/23, pp. 177-183.

(with Philip Bohlman), Editorial: On the Work of Musicology That Lies Ahead, in: Acta Musicologica 94, 2022, pp. 133-135. https://acta.musicology.org/acta/article/view/94-2-2022-

133-editorial/pdf

(with Philip Bohlman), Editorial: Reckoning with Musicology's Past and Present, Editorial, in: Acta Musicologica 92, 2020, pp. 117-119.https://acta. musicology.org/acta/article/view/92-2-2020-117-editorial/pdf

(with Philip V. Bohlman), Musicology at the Global Front Lines, Editorial, in: Acta Musicologica 92, 2020, pp. 1-4. https://acta. musicology.org/acta/article/view/92-1-2020-001editorial/pdf

(with Philip V. Bohlman), Acta Musicologica and Multilingualism, Editorial, in: Acta Musicologica 91, 2019, pp. 1-4. https://acta. musicology.org/acta/article/view/91-1-2019-001editorial/pdf

(with Philip V. Bohlman), Musicology in an Era of Response and Responsibility, Editorial, in: Acta Musicologica 90, 2018, pp. 1-3.https://acta. musicology.org/acta/article/view/90-1-2018-001-editorial/pdf

(with Philip V. Bohlman), Globalisation and its Discontent, Editorial, in: Acta Musicologica 89, 2017, pp. 1-3. https://acta. musicology.org/acta/article/view/89-1-2017-001-editorial/pdf

(with Philip V. Bohlman), Musicians at the Borders, Editorial, in: Acta Musicologica 88, 2016, 1-4. https://acta.musicology.org/acta/article/view/88-1-2016-001-editorial/pdf

(with Philip V. Bohlman), Editorial, in: Acta Musicologica 86, 2014, pp. 1-3.

(with Philip V. Bohlman), Editorial, in: Acta Musicologica 84, 2012, pp. 1-3.

(with Philip V. Bohlman), Editorial, in: Acta Musicologica 83, 2011, pp. 1-2.

"Sympathies - Transitions - Resistances. Different Modalities of Relations between Sound, Image and Word". Report on the annual conference of the Austrian Society, in: Musicologica Austriaca 31/32, 2012/2013, pp. 209-210.

Reviews:

Susanne Kogler, Adorno versus Lyotard. Moderne und postmoderne Ästhetik, Freiburg and Munich 2014 (Musikphilosophie, 6), rec. in: Musik & Ästhetik 20/79, 2016, pp. 107-109.

Eva and Paul Badura-Skoda, Interpreting Mozart. The Performance of His Piano Pieces and Other Compositions, New York 2008, rec. in: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music, 14, 2010, pp. 19-22.

Peter Stachel and Philipp Ther (eds.), Wie europäisch ist die Oper? Die Geschichte des Musiktheaters als Zugang zu einer kulturellen Topographie Europas, Oldenbourg 2009 (Die Gesellschaft der Oper, 3), rez, in: Österreichische Musikzeitschrift 1/2010, pp. 70-71.

Markus Böggemann, History and History. Arnold Schönbergs musikalischer Expressionismus zwischen avantgardistischer Kunstprogrammatik und Historismusproblem, Vienna 2007 (Publikationen der Internationalen Schönberg-Gesellschaft, 7), rez. in: Österreichische Musikzeitschrift 9/2009, p. 86 f.

Massimiliano Sala / W. Dean Sutcliffe (eds.), Domenico Scarlatti Adventures. Essays to Commemorate the 250th Anniversary of His Death, Bologna 2008 (Ad Parnassum Studies, 3), rec. in: Ad Parnassum. A Journal of Eighteenth- and Nineteenth-Century Instrumental Music 6/12, 2008, pp. 152-155.

Stefan Hanheide, Mahler's Visions of Downfall. Interpretationen der Sechsten Symphonie und der Soldatenlieder, Osnabrück 2004, rez. in: Die Musikforschung 62/2, 2009, pp. 298-300.

Peter Fuß, The Grotesque. Ein Medium des kulturellen Wandels, Cologne, Weimar and Vienna 2001 (Kölner German Philology Studies, NF. 1), rez. in: Newsletter Moderne 5/1 (2002), pp. 37-38.