Selected Bibliography

Altman, Rick. Film/Genre. London: BFI Publishing, 2006.

Assmann, Aleida. Erinnerungsräume. Formen und Wandlungen des kulturellen Gedächtnisses. München: Beck, 2006.

Baron, Ava and Eileen Boris. "The body as a Useful Category for Working-Class History". In Labor vol. 4, no. 2 (2007): 23-43*.

Bergfelder, Tim. "National, Transnational or Supranational Cinema? Rethinking European Film Studies". In Media, Culture & Society 11 (2005): 315-331.

Berghahn,  Daniela and Claudia Sternberg. "Locating Migrant and Diasporic Cinema in Contemporary Europe". In European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe. Basingstoke: Palgrave Macmillan, 2010: 12-49.

Bertagna, Federica and Marica Maccari-Clayton. "Südeuropa-Italien". In Enzyklopädie Migration in Europa, edited by Klaus Bade. Munich: Fink, 2008: 205-219.

Binotto, Marco. "Invaders, Aliens and Criminals". In Destination Italy. Representing Migration in Contemporary Media and Narratives, edited by Bond, Emma, Guido Bonsaver and Federico Faloppa. Oxford u.a.: Peter Lang, 2015: 31-58.

Bond, Emma, Guido Bonsaver and Federico Faloppa (eds.). Destination Italy. Representing Migration in Contemporary Media and Narratives. Oxford u.a.: Peter Lang, 2015.

Bond, Emma and Daniele Comberiati. Il confine liquido. Rapporti letterari e interculturali fra Italia e Albania. Nardò: Besa, 2013.

Bonsaver, Guido. "Accented voices in Contemporary Italian Cinema". In Destination Italy. Representing Migration in Contemporary Media and Narratives, edited by Bond, Emma, Guido Bonsaver and Federico Faloppa. Oxford u.a.: Peter Lang, 2015: 345-364.

Brodkin, Karen (2000). "Global Capitalism: What's race Got to Do with it?". In American Ethnologist vol. 27, no. 2 (2000): 237-256*.

Brunetta, Gian Piero. "Emigranti nel cinema italiano e Americano". In Storia dell'emigrazione italiana. Vol. 1: Partenze, edited by Piero Bevilacqua. Rome: Donzelli, 2002: 489-514.

Butler, Judith. Das Unbehagen der Geschlechter. Frankfurt a.M.: Suhrkamp, 1991.

Capussotti, Enrica. "Moveable Identities: Migration, Subjectivity and Cinema in Contemporary Italy". Modern Italy vol. 14, no. 1 (2009): 55-68.

Cavallero, Jonathan J.: Hollywood's Italian America Filmmakers. Capra, Scorsese, Savoca, Coppola, and Tarantino. Champagne (IL): University of Illinois Press, 2011.

Certeau, Michel de. The Practice of Everyday Life. Berkeley: University of California Press, 1988.

Cincinelli, Sonia. I migranti nel cinema italiano. Rome: Kappa, 2009.

-. Senza frontiere: L'immigrazione nel cinema italiano. Rome: Kappa, 2009.

Connell, R.W.. Der gemachte Mann. Konstruktion und Krise von Männlichkeiten. Opladen: Leske, 1999.

Contarini, Silvia. Coloniale e Postcoloniale nella letteratura degli anni 2000. Paris: PUF Ouest, 2012. 

Contarini, Silvia, Luca Marsi (eds.). Precariato: forme e critica della condizione precaria. Verona: Ombre corte, 2015*.

Corrado, Andrea and Mariottini, Igor. Cinema e autori sulle tracce delle migrazioni. Rome: Ediesse, 2013. 

Deitze, Gabriele, Elahe Hashemi Yekani and Beatrice Michaelis. "Queer und Intersektionalität". In www.portal-intersektionalität.de. 2012 (Accessed on May 9th, 2015).

Duncan, Derek. "The Sight and Sound of Albanian Migration in Contemporary Italian Cinema". New Readings 8 (2007): 1-15 (Accessed June 20th, 2012).

-. "Loving Geographies: Queering Straight Migration to Italy". New Cinemas 6 (2008): 167-182. 

Eigmüller, Monika. Grenzsicherungspolitik. Funktion und Wirkung der europäischen Außengrenze. Wiesbaden: VS, 2007.

Elsaesser, Thomas. European Cinema. Face to Face with Hollywood. Amsterdam UP, 2005. 

-. "Real Location, Fantasy Space, Performative Place: Double Occupancy and Mutual Interference in European Cinema". In European Film Theory , edited by Temenuga Trifonova. London, New York: Routledge, 2009: 47-61. 

Esposito, Elena: Die Fiktion der wahrscheinlichen Realität. Frankfurt: Suhrkamp, 2007*. 

Ezra, Elizabeth, and Terry Rowden. "Introduction". In Transnational Cinema: The Film Reader, edited by Elizabeth Ezra and Terry Rowden. London, New York: Routledge, 2006: 1-13.

Faleschini Lerner, Giovanna. "From the Other Side of the Mediterranean: Hospitality in Italian Migration Cinema". California Italian Studies vol. 1, no. 1 (2010): 1-19.

Gatti, Frabrizio. Bilal: Viaggiare, lavorare, morire da clandestini. Milan: Rizzoli, 2010. 

Gnisci, Armando. La Letteratura italiana della Migrazione. Rome: Lilith, 1998. 

Grob, Norbert and Thomas Klein. "Das wahre Leben ist anderswo. Roadmovies als Genre des Aufbruchs". In Road Movies, edited by Grob, Norbert and Thomas Klein. Mainz: Bender, 2006: 8-21. 

Hickethier, Knut. "Genretheorie und Genreanalyse". In Moderne Film Theorie, edited by Jürgen Felix. Mainz: Bender, 2002: 62-96.

Higbee, Will. "Concepts of transnational cinema: towards a critical transnationalism in film studies". In Transnational Cinemas vol. 1, no. 1 (2010): 7-21.

Hope, William, Luciana d'Arcangeli and Silvana Serra (eds.): Un nuovo cinema politico italiano?  Vol. 1: Lavoro, migrazione, relazioni di genere. Leicester: Troubador, 2013. 

Jedlowski, Alessandro: "Nigerian Migrants, Nollywood Viedeos and the Emergence of an 'Anti-Humanitarian' Representation of Migration in Italian Cinema". In Destination Italy. Representing Migration in Contemporary Media and Narratives, edited by Emma, Bond, Guido Bonsaver and Federico Faloppa (eds.). Oxford u.a.: Peter Lang, 2015: 397-414*.

Kappelhoff, Hermann. "Tränenseligkeit. Das sentimentale Genießen und das melodramatische Kino". In Das Gefühl der Gefühle. Zum Kinomelodram, edited by Margrit Frölich, Klaus Gronenborn and Karsten Visarius, Marburg: Schüren, 2008: 35-58.

Kirchmair, Maria. Die Narrativierung von Raum, Bewegung und Identität in der postkolonialen Gegenwartsliteratur Italiens. Innsbruck Dissertation 2016. 

Kleinschmidt, Christoph. "Semantik der Grenze". In Aus Politik und Zeitgeschichte vol. 63, no. 4 (2014): 3-8.

Landy, Marcia. Italian Film. Cambridge: University Press, 2000. 

Lombardi-Diop, Cristina and Caterina Romeo (eds.). Postcolonial Italy: Challenging National Homogeneity. New York: Palgrave, 2012.

Lutz, Helma, Maria Teresa Herrera Vivar and Linda Supik (eds.). Fokus Intersektionalität. Bewegungen und Verortungen eines vielschichtigen Konzepts. Frankfurt a.M.: Campus, 2010. 

Mazierska, Ewa and Laura Rascaroli (eds.): "Introduction". In Crossing New Europe: Postmodern Travel and the European Road Movie. London: Wallflower, 2006: 1-9.

Mengozzi, Chiara. Narrazioni contese. Vent'anni di scritture italiane della migrazione. Rome: Carocci, 2013. 

Metelmann, Jörg. "È giusto vivere così?" Contemporary Melodrama and Migration". In: Sabine Schrader and Daniel Winkler (eds.): The Cinemas of Italian Migration. European and Transatlantic Narratives. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013: 247-262. 

Mezzadra, Sandro and Brett Neilson. "Die Grenze als Methode, oder die Vervielfältigung der Arbeit". In eipcp.european institute of progressive cultural policies 3 (2008). Accessed June 10th, 2016*. [traduced part of: Borders as methods or The multiplication of labour. Duke University Press 2013.]

Millet, Raphaël. Cinémas de la Méditerranée, cinémas de la mélancolie. Paris: L'Harmattan, 2002. 

Martini, Giulio and Guglielmina Morelli (eds.). Patchwork. Geografia del nuovo cinema italiano, vol. 2. Milan: Il Castoro, 1998. 

Moine, Raphaëlle. Cinema Genre. London: Wiley-Blackwell, 2008. 

Müller-Funk, Wolfgang. Die Kultur und ihre Narrative: Eine Einführung. Vienna: Springer, 2002. 

Mulvey, Laura. "Visual Pleasure and Narrative Cinema". In Feminism and Film, edited by E. Ann Kaplan. Oxford: University Press, 2000: 34-47.

Naficy, Hamid. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton University Press, 2001. 

O'Healy, Aine. "Border Traffic: Reimagining the Voyage to Italy". In Transnational Feminism in Film and Media, edited by Marciniak Katarzyna, Imre Anikò and Aine O'Healy. New York: Palgrave, 2007: 59-72.

-. "Race, Ethnicity, and the Dream of Multiculturalism: From 'Pummarò' to 'L'articolo 2'". Romance Languages Annual  12 (2002): 232-238.

-. "Towards a transnational approach to the Study of Contemporary Italian Film. Italian Screen Studies, Present and Future". In: The Italianist vol. 34, no. 2 (2014): 268-271.

-. "Bound to Care: Gender, Affect and Immigrant Labor". Italian Political Cinema: Public Life, Imaginary and Identity in Contemporary Italian Film,  edited by Giancarlo Lombardi and Christian Uva. Oxford: Lang 2016: 56-67*.

Parati, Gabriella. Migration Italy. The art of talking back in a destination. Toronto Univ. Press,  2005. 

Ponzanesi, Sandra. "Outlandish Cineme: Screening the Other in Italy". In Migrant Cartographies: New Cultural and Literary Spaces in Post-Colonial Europe, edited by Sandra Ponzanesi and Daniela Merolla. Oxford: Lexington Books, 2005: 267-280. 

-. "The Postcolonial Turn in Italian Studies: European Perspectives". In Cristina Lombardi-Diop and Caterina Romeo (eds.), Postcolonial Italy: Challenging National Homogeneity. New York: Palgrave 2012: 51-69. 

-. "On the waterfront". In Interventions 18.2, 2015: 217-233*.

Quaquarelli, Lucia. Narrazione e migrazione. Milan: Morellini, 2015. 

Rascaroli, Laura. "Carlo Mazzacurati, Silvio Soldini, and Gianni Amelio: Highways, Side Roads, and Borderlines-the New Italian Road Movie". In Italian Cinema: New Directions, edited by William Hope. Bern e.a.: Peter Lang, 2005: 251-272.

Reckinger, Gilles. Lampedusa. Begegnungen am Rande Europas. Wuppertal: Peter Hammer, 2013. 

Renga, Dana. "Italian Screen Studies in the Anglophone Context: 2008-2013". In The Italianist 34 (2) 2014: 242-249.

Ruhe, Cornelia. Cinéma beur. Analysen zu einem neuen Genre des französischen Films. Konstanz: UVK, 2006.

Russo Bullaro, Grace (ed.). From Terrone to Extracommunitario: A Snapshot of Italian Society in a Globalized World. Leicester: Troubador, 2010. 

Saponari, Angela Bianca. Il corpo esiliato. Cinema italiano della migrazione. Bari: Progredit, 2012. 

Schrader, Sabine. "Palermo als Broadway und die Mafia als Musical: 'Tano da morire' (1997) von Roberta Torre". In Europäischer Film im Kontext der Romania: Geschichte und Innovation, edited by Gisela Febel and Natascha Uekmann. Münster: LIT, 2007: 215-230.

-. "Memoria e nostalgia in 'Il vento fa il suo giro' di Giorgio Diritti". In Un nuovo cinema politico italiano? Vol. 1: Lavoro, migrazione, relazioni di genere , edited by William Hope, Luciana d'Arcangeli and Silvana Serra. Leicester: Troubador, 2013: 163-173.

- and Daniel Winkler (eds.). "The Cinemas of Italian Migration. From Il Cammino della speranza to Into Paradiso". In The Cinemas of Italian Migration. European and Transatlantic Histories, edited by Sabine Schrader and Daniel Winkler. Newcastle upon Tyne: Cambridge Scholars Publishing 2013: 1-19.

Schweinitz, Jörg. "Genre und lebendiges Genrebewusstsein". In Montage AV 3, 2 (1994): 100-118.

Sinopoli, Franca (ed.). Postcoloniale italiano. Tra letteratura e storia. Aprilia: Novalogos, 2013.

Small, Pauline. "Immigrant Images in Contemporary Italian Cinema". In Italian Colonialism: Legacy and Memory, edited by Derek Duncan and Jaqueline Andall. Oxford e.a.: Peter Lang, 2005: 239-254.

Soja, Edward. Thirdspace. Journeys to Los Angeles and Other Real-and-Imagined Places. Cambridge: Blackwell, 1996.

Sökefeld, Martin (ed.). "Das Paradigma kultureller Differenz: Zur Forschung und Diskussion über Migranten aus der Türkei in Deutschland". Jenseits des Paradigmas kultureller Differenz. Neue Perspektiven auf Einwanderer aus der Türkei. Bielefeld: Transcript, 2004: 9-33.

Spivak, Gayatri Chakravorty. "Can the Subaltern Speak?". In Cary Nelson and Lawrence Grossberg (eds.): Marxism and the Interpretation of Culture. Chicago: University of Illinois Press 1988: 271-313*.

Thieme, John. Postcolonial Con-Texts: Writing Back to the Canon. London: Continuum, 2002.

Vilar, Pierre. "El Vallespir y la Cerdanya: problemes de la frontera". In L'Avenç vol. 86 (1985): 39-41.

Wagner, Birgit and Daniel Winkler. "Einleitung: Zur Lage und internationalen Rezeption des neuen italienischen Kinos". In Nuovo Cinema Italia. Das italienische Kino meldet sich zurück, edited by Birgit Wagner and Daniel Winkler. Vienna: Böhlau, 2010: 7-13.

Welsch, Wolfgang. "Transculturality: The Puzzling Form of Cultures Today". In Spaces of Culture: City, Nation, World, edited by Mike Featherstone and Scott Lash, London: Sage, 1999: 194-213.

White, Haydn. "The Value of Narrativity in the Representation of Reality". Critical Inquiry vol. 7, no. 1 (1980): 5-27.

Williams, Linda. "Melodrama Revised". In Refiguring American Film Genres: History and Theory, edited by Nick Browne, Berkeley: University California Press, 1988: 42-88. 

Wilson, Thomas M. and Donnan Hastings. "Borders and Border Studies". In A Companion to Border Studies. Malden: Wiley Blackwell, 2012: 1-25.

Winkler, Daniel. "Quando sei nato non puoi più nasconderti...: Gianni Amelio, Marco Tullio Giordana und der nuovo cinema di migrazione". In Handeln und verhandeln: Beiträge zum 22. Forum Junge Romanistik, edited by Dagmar Schmelzer et al. Bonn: Romanisticher Verlag, 2007: 239-257.

-. "Questioni meridionali, questioni europee? Ethnische und kulturelle Alterität im italienischen Kino der Gegenwart. Mit einem Exkurs zu Gianni Amelios 'Lamerica'". In Quo vadis Romania? Zeitschrift für eine aktuelle Romanistik 33 (2009): 39-52.

Wood, Mary P. "Clandestini: The Other Hiding in the Italian Body Politic". In European Cinema: Inside Out, edited by Guido Rings and Rikki Morgan-Tamasunas. Heidelberg: Winter, 2003: 95-106.

Zambenedetti, Alberto. "Multiculturalism in New Italian Cinema". Studies of European Cinema Vol. 3 (2006): 105-115. 

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