Publications

 

Monograph:

Escaping from the Prison-House of Language and Digging for Meanings in Texts among Texts: Metafiction and Intertextuality in Margaret Atwood's Novels Lady Oracle and The Blind Assassin. Stuttgart: Ibidem, 2006. Print.

 

Articles:

"Trees standing in the water": Toronto's 'Visible Minorities' in Dionne Brand's What We All Long For (2005)." In preparation.

"A Map to the Middle Passage as Heterotopia: Cultural Memory in Dionne Brand's At the Full and Change of the Moon." Racism, Slavery, and Literature. Ed. Wolfgang Zach and Ulrich Pallua. Frankfurt a. M. et al.: Peter Lang, 2010. 257-66. Print.

"'True Stories' in the Course of Time in Margaret Atwood's The Blind Assassin." A Sea for Encounters: Essays Towards a Postcolonial Commonwealth. Ed. Stella Borg Barthet. Amsterdam: Rodopi, 2009. 287-306. Print.

"Spatial Practices, Representations of Space, and Spaces of Representation in Margaret Atwood's Novels." Space and Gender - Espace et genre: Spaces of Difference in Canadian Women's Writing - Espaces de différence dans l'écriture canadienne au féminin. Ed. Doris G. Eibl and Caroline Rosenthal. Innsbruck: iup, 2009. 53-71. Print.

Becker, Susanne, and Andrea Strolz. "Atwood's Men * Atwood's Women." Canada in Grainau/Le Canada à Grainau: A Multidisciplinary Survey of Canadian Studies after 30 Years/Tour d'horizon multidisciplinaire d'Études canadiennes, 30 ans après. Ed. Klaus-Dieter Ertler and Hartmut Lutz. Frankfurt a. Main et al.: Peter Lang, 2009. 197-227. Print.

 

Reviews:

Review of Reingard Nischik. Engendering Genre: The Works of Margaret Atwood. Ottawa: U of Ottawa P, 2009. 315 pp. Zeitschrift für Kanadastudien. Forthcoming.

 Review of Reingard Nischik. Engendering Genre: The Works of Margaret Atwood. Ottawa: U of Ottawa P, 2009. 315 pp. Zeitschrift für Anglistik und Amerikanistik 60.2 (2012): 189-90. Print.